Canon's storied S Series gets a revitalized new leader in the slimmer, lighter, PowerShot S90, the perfect everyday camera for people who are serious about great photography. Image quality is superb thanks to the new High Sensitivity System and higher ISO speeds, plus an exceptionally bright f/2.0 lens that makes portraits and low-light shots come to life. Photography enthusiasts will love the new control ring at the base of the lens barrel, designed for intuitive, pro-style manual control.
FEATURES:
- 10-megapixel sensor coupled with Canon's DIGIC 4 Image Processor - The PowerShot S90 employs a 10-megapixel High Sensitivity System by combining a powerful CCD sensor and Canon's DIGIC 4 Image Processor. Thanks to this technological advancement, the S90 is dramatically more sensitive than cameras with identical megapixel counts, and delivers spectacular images with minimal noise. Increased sensitivity demands a higher ISO speed, and the PowerShot S90 delivers with a new maximum setting of ISO 3,200. Blur and camera shake are notably reduced for the ultimate in sharpness and clarity.
- Compact and pocket-sized camera for everyday use for the advanced amateur - Serious photography buffs never want to miss a shooting opportunity, and that means keeping a high-quality camera on hand at all times. With a robust feature set that meets an advanced amateur's exacting standards, the compact PowerShot S90 fits the bill. The S90 boasts an incredibly slim profile and lightweight body for pocket-sized convenience, yet packs in advanced capabilities that make every image memorable. It's the perfect take-along complement to your camera collection.
- Bright f/2.0 lens, great for shooting in low light conditions or using a shallow depth-of-field - The S90 sports an f/2.0 aperture, perfect for creating enticing portraits, by drawing attention to t
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Rating
Early Impressions
I was delighted to have finally received my Powershot S90, and without further adieu, let me say that this is one heck of a camera. It’s not perfect — you can take truly terrible pictures with it just like you can take terrible pictures with a D700 — but when used properly, the camera turns out remarkable shots that make us find it hard to accept the images are coming from a camera that fits in your pants pocket.
What struck me first upon using it? First, it’s size. This thing is small, and it’s light, too. It’s a bit smaller than my Panasonic TZ3 and TZ5, and it’s lighter, too. (The camera uses a front and back metal construction with plastic on the top and bottom, but the Panasonic’s, while also using metal, use a thicker gauge steel which adds a feel of sturdiness but also adds some weight, as well). The camera also has a high-quality feel to it. The buttons click and depress well (although the rear wheel is a bit too easy to turn, in my opinion). It has a rounded shape, so it feels comfortable in the hands, and when you stick it in your pocket, it will slide right in and out without snagging. The screen on this thing is simply gorgeous: why can’t every camera have a screen like this? It’s large, bright, and pretty high in resolution (461,000 pixels). You can’t help but admire the camera’s design once you get looking at it and using it.
Next, the camera seems to perform well in terms of speed and overall operational use. The screen has the typical lag when taking shots, but you can adjust this somewhat in the menu system to speed things up, and quite frankly, every small camera I’ve ever owned exhibits this behavior. It is easy to use most of the camera’s functions, and you may have heard about the programmable control ring around the lens on the front of the camera. It’s operation is easy, solid (the ring “clicks” with detents at different positions), and, to boot, there is the standard programmable “S” button that the Powershots “S” cameras have typically had.
But of course, I’m interested in high ISO operation, and so I immediately took it into the livingroom where it was quite dark, and just started shooting. I was quite surprised at the results. You are not going to necessarily submit these to win any contests, but for the most part, the camera took nice shots even in that bad shooting environment, and the vast majority of the photos came out quite well (I will post a few with this review). The camera is the first (along with the Powershot G11) to deploy Sony’s new ICX685CQZ sensor, a 9.31mm diagonal sensor with high performance specifications. With a little post processing, many of them look quite good. As the ISO crept into the very high ranges (800 and above) some sensor noise became apparent, but this is certainly the best low-light performance I’ve seen in a non-DSLR so far. (See my explanations, below, to see why this is possible). Surprisingly, some shots as high as 1600 ISO seemed to be acceptable as long as you are not a “pixel peeper.” I was quite surprised when I discovered that a few of the shots had been taken at this high ISO 1600 level — I’ve never had this experience before with a point and shoot camera.
Outdoor operation is fantastic. My outdoor shots for the most part have come out very well, with rich color, great detail, and little sensor noise. Like most Canon portables, these images seem to respond well to post-processing (you can sharpen them quite easily, and Canon now uses a standard meta-data tagging format that is readable by virtually all photo editor programs.) I even turned the EV down -2/3 while outside, and the sensitivity of the camera is so good that, even with this reduction in EV, my shots came out sharp and clear. Again, I will post a few shots with this review.
The camera TRULY excels at macro photography. The macro shots I’ve taken thus far are clear, sharp, and have great depth of field. In a word, they are superb: this camera is a macro shooter’s delight. (A nice touch, too, is that in AUTO mode the camera automatically shifts into macro mode, without having to press any buttons!) The functionality just begs us to keep shooting macros over and over again. I’ve been able to take macro shots that I only dreamed of before, and the camera makes it easy to do so.
And although this is not an objective measure, the camera is just plain fun to use. It works smoothly, is light, has a beautiful screen, and seems to keep cranking out one nice shot after another. Wow.
Early Pro’s and Cons
— PROS —
1. Exceptionally small and lightweight (100 x 58 x 31 mm and 175 g)
2. Increased sensor size for a portable with a lower megapixel count (Sony’s new ICX685CQZ sensor, 9.31mm diagonal)
3. Reasonably large zoom factor (28-105mm, approximately 3.8X zoom)
4. Wide end is very wide for landscape shots, vistas, group photos (28mm)
5. Fast f/2 lens permits high levels of light passage in low light situations
6. f/2 lens makes shallow depth of field shots incredibly effective – this camera is a macro shooter’s delight
7. Two types of highly effective shake reduction technologies
8. Design makes lens cap unnecessary
9. Extremely high image quality for a pocket sized camera
10. HUGE 3 inch LCD screen with 461,000 pixel resolution and 100% coverage of the shot you wish to take
11. RAW mode allows for highest image quality and post processing
12. Virtually every camera setting is user adjustable (ISO, shutter speed, aperture, EV, white balance, etc.)
13. Ring-based control implementation one of the best on ANY current camera
14. Reasonable cost for a camera of this ability (but watch the prices climb as the camera stays in and out of stock)
16. Metadata being properly written to the file so they can be read by photo editing software (a problem with earlier Canons and some other brands)
17. SDHC flash card is highly standardized, and is coming in larger and faster formats (necessary if you are taking many RAW shots)
18. Extremely attractive physical design
19. High quality construction apparent on first use
20. Reasonably good battery life – most people are reporting about 300 shots (without flash) between charges
— CONS —
1. Zoom ends at 108mm (3.8X zoom), which may be a deal breaker for some
2. Does not take HD videos (but does shoot 640 x 480 at full 30fps)
3. LCD screen not at the highest current resolution as seen in some DSLR’s (but is great, anyway)
4. Proprietary battery is an expensive proposition, as two or three are needed for daylong trips
5. Camera case not included, and is expensive to purchase afterword
6. No prices below retail due to the high demand of the device
7. May be difficult to initially acquire due to high demand
8. Still no “universal standard” RAW mode file format – the camera manufacturers need to address this soon!
9. Mechanical noise when setting focus and moving between bright and dimply lit areas – this is the aperture being adjusted, but it can be annoying
Some Other Things I Can Tell You about this Camera (and the Powershot Line in general)
Canon’s reinstatement of the venerable “S” series within the Powershot line is a welcome move to thousands of photographic enthusiasts. Although the S90 announcement a few months ago caught the photographic community by surprise, the announcement was greeted with overwhelmingly positive reactions. As a person who had been greatly impressed by my older Powershot S80, a phenomenal camera for its time and a pleasure to use, I was one of them.
Read the online posts of virtually any photography forum, and you’ll quickly see there is no shortage of individuals, many of them longtime professional photographers, who have tired of carrying around anywhere from four to ten pounds of photographic equipment simply to get a few shots while out on a trip. (I think it may have been Scott Kelby who said, and I paraphrase, “The best shot is the one you take,” and if the weight and size of your equipment makes it so that you end up not bringing your camera with you, you won’t take any photos at all! This is a corollary to one famous photographer`s statement that there is an inverse relationship between the amount of photos you take and the amount of equipment you bring.) The problem has generally been, however, that the smaller you make the camera, the worse the image quality of the photos the device can produce. This has set up a tradeoff between image quality and camera size, and, more specially, image quality and sensor size, which for years has forced photographers to take a stand with one side of the equation or the other, and then defend to the community why they made such a choice.
Without going into too much detail here, the problem in manufacturing a compact camera that takes excellent images under a wide range of environments essentially boils down to the sensor, the electronic device that takes the place of film in older cameras. The larger the sensor, the more surface area for light to fall, and the higher the density of the sensor (in megapixels) the higher the sensor’s resolution. Camera manufacturers have excelled at developing ever higher densities in sensors of the same physical dimensions — many 12 and 14 mexapixel cameras are using sensors sized no larger than those on previous cameras possessing only 3 or 4 mexapixels — but where they have fallen flat on their faces is in the development of sensors that have good resolution AND low noise. And the most direct impact of increasing mexapixel count on a sensor that remains static in size is the increase of electronic “noise” (also known as the “signal to noise ratio,” a term used for describing all electrical circuits, whether photographic in nature, or not), resulting in photos that have a grain like appearance with miniscule spots of white and color spread throughout the entire image, spoiling the photo’s clarity and diminishing its overall appearance.
The problem is that when more reactive pixels are crammed into a sensor of a fixed size, the size of the pixels themselves must be decreased to accommodate more of them within the same sensor size. But as pixels are made smaller, they also tend to emit more unwanted electrical emissions (called “noise”) along with the desired output (called “signal”). As consumers have somehow mistakenly equated megapixels with quality (and the camera manufacturers have done little, if anything, to dispel this misunderstanding), camera manufacturers have released successive waves of new cameras with higher and higher resolution, but with essentially the same sized sensors. These “upgrades” have driven noise levels higher, and have resulted in more cameras capable to taking “good” photos only in full sunlight where the signal from the sensor easily overpowers its noise. (This phenomenon is best seen when taking a picture in a low light setting, say inside a building, and the photo, if it comes out blur free at all, is laden with noise spots, making the photo generally unappealing in appearance and lacking in detail and clarity.)
The approach to this problem has typically been to apply “noise reduction” processing algorithms to the image before it is written to the flash card, similar to techniques used by computer software image editing programs. And although this “after the fact” noise reduction approach can help, the truth is that, for most situations, there simply is no way to repair a photo so laden with noise: you can remove the noise, but the cost is a loss of detail, making such photos appear slightly soft and blurry, with little detail. Some cameras produce so much noise that noise reduction algorithms appear in all photos, not just low light shots, where even full sunlight shots present noise reduction artifacts in the resulting picture.
That preamble may have been a bit longer than was expected, but it is an important background to the Powershot S90, a camera that attempts to tackle the problem of low light image quality in a manner few manufacturers have generally attempted:
1. increasing the physical size of the sensor to a size larger than most point and shoot cameras
2. reducing the noise generation inherent in the hardware sensor pixels
3. increasing pixel size by reducing the number of pixels on the sensor
4. using a “fast, bright” lens with a very wide aperture (f/2 at its widest zoom level) that allows a great deal of light to pass through to the sensor
When these four approaches are employed, the result can be a portable camera that, under some conditions, can rival the performance of most entry level DSLRS, and do so in format that fits in your shirt pocket.
The Powershot S90 has just now been released, and most all initial reviews seem to be extremely positive, including my own here. Functionality on the camera is praised, particularly with Canon’s implementation of a very old, but generally discarded control mechanism: a ring around the diameter of the lens element serves as a selector for variety of user-defined functions in conjunction with a small function button on the top of the camera. The unit itself is diminutive in size and weight (100 x 58 x 31 mm and 175 g , respectively) and makes use of a matte black finish with smooth curved edges that maintains the generally rectangular shape.
What is the price we pay for such performance? The primary one (and this may be a deal breaker for many) is that the camera zooms only from 28 105mm, making it effectively a 3.8x zoom, too little to be able to compare with compacts such as Panasonic’s DMC-TZ5, which starts at this same wide end but (incredibly) zooms to 10x. But if we understand what the S90 is designed to do, which is to take high quality images even in less than desirable lighting conditions (at dusk, inside a cathedral, in museums, etc.), we can see Canon’s strategy: don’t worry about a lens that zooms across the football field and concentrate on developing a fast lens that transmits lots of light and excels at the wide end. In fact, the S90 is marketed as a camera that is particularly well suited to depth of field shots, where only one item in the frame is in focus, and the rest blurred, and in macro shots where the subject is less than 2 inches away. In this sense, we can say the camera’s zoom is not a deficit in the design, but a strategy that helps the camera achieve its goals.
My Canon Powershot S80, a camera I purchased many years ago, took pictures of startling clarity and quality. While possessing similar lens characteristics to the new S90, the S80 had no anti-shake technology, could hold only up to a 2Gb SD card, and had an optical viewfinder that wasn’t too accurate. But none of that mattered: the photos that came out of the camera were some of the best I took in those years, and, to boot, the camera was constructed in a quality manner that distinguished itself from all other portables at the time, and was simply a pleasure to use. Early reviewers of the S90 are reporting these very same qualities, but now with a camera that is designed to push the boundaries of portable cameras into a new standard.
COMPARE
Canon Powershot S80 8MP Digital Camera with 3.6x Wide Angle Optical Zoom
Panasonic Lumix DMC-TZ5K 9MP Digital Camera with 10x Wide Angle MEGA Optical Image Stabilized Zoom (Black)
Rating
I bought this camera on 10/9, which is the first day it was available here in Kansas City. I have already taken a couple hundred shots with it comparing images side by side with my G10 at various settings. This review is of my initial impression based on the short time that I have had it. I was anxiously awaiting the release of this camera. I own a Nikon D90 DSLR, but there are many times when I prefer to just take a compact. In the past the Canon G10 has served that purpose, but the S90 boasts improved low-light performance and smaller size.
The first thing I wanted to test was image quality and noise at high ISO settings. Most photography hobbyists and pros know that low light performance is the number one factor influencing camera and lens prices. This is the main reason an f/2.8 zoom lens costs 3-5 times as much as an f/3.5-5.6 zoom. The S90 performs superbly in this regard. RAW images from the S90 set at ISO 800 were equal to or better than RAW images from the G10 set at ISO400. Both luminance and chrominance noise were lower in the S90 images. This represents a 1 stop improvement, which is what I was hoping for. These comparisons were made with all noise reduction disabled in camera and in the DPP software. I tested all other ISOs and found the S90 to be better at all ISO settings above 100 and the 2 cameras demonstrated equal IQ at the base ISOs of 80 and 100.
Canon also boasts about the S90 having a faster f/2.0 lens compared to the f/2.8 on the G10, but this part of the camera did not impress me. The lens only has the 1 stop advantage at the absolute widest setting and the max aperture closes down fast from there. The G10/G11 lens is faster at the telephoto end and the difference is negligible at all zoom settings in between. Both lenses are equally sharp throughout their zoom ranges.
The ergonomics of the camera will take me a while to get used to. I was looking for a smaller camera and the S90 definitely fits the bill. But now that I am using it, I wonder if it might be too small. I hope that it will become more comfortable in my hands as I get used to it. On the G10, I could operate all of the controls on the right-rear of the camera with the thumb of the hand holding the camera. With the S90 there are fewer controls that I can operate one-handed and at times I feel like I might drop this camera, because I just can’t get a good grip on it. Other ergonomic concerns are that the rear control ring turns too easily and I have found myself unintentionally adjusting settings because of this, which was never a problem on the G10. I think I might miss the external ISO and Exposure Compensation dials on the G10, but I have set the front control ring to adjust the ISO setting and I would honestly need to use it more before I say the controls are not easy to access; again this should improve with more use. None of the concerns I have about the size and controls on the camera would dissuade me from the purchase; the trade-off is worth it for the smaller carrying size and improved performance.
The camera ships with a newer version (3.7) of Canon’s Digital Photo Professional software. There is not much difference compared to older versions, but there is one nice improvement: the lens aberration section is enabled for images taken with the S90. This allows for correction of vignetting, CA and distortion. I do not understand why the same controls are not available for RAW files taken with the G10. There is still no straighten function in the software, which is a disappointment. Another disappointing factor about the software is that Canon has not yet released a new RAW Codec; the current version (1.5) does not support the S90 or G11. This allows raw files to be viewed in Windows and for thumbnail images to be created in Windows explorer. I am sure they are working on an update, but I wish they had this ready by the time the camera was released.
I went step-by-step through the menus and features of both cameras during my comparison and most functions are very similar. The S90 has fewer AF options and no remote control, but I do not think I will miss either of these.
I considered giving this camera only 4 stars because of the couple of hits I mentioned above, but then decided that would not be fair. The title of “Best Compact” has been debated feverishly on the web, with most votes going to the G10 and LX3. But now, I think Canon’s new release of both the S90 and G11 will put a quick end to these debates. There is no question in my mind that this pair sits above all competitors. Therefore a five star rating is the only logical choice. I highly recommend this camera.
Rating
DPReview will present a more thorough review than any of us might care to write, so I will just give my general impressions.
This camera is not perfect. If you are expected it to manage the image quality or low light performance of your Canon DSLR you will be disappointed. But the S90 is the best compact camera I have ever used. You do get more than one stop of performance over the Canon SD880IS, my previous ultra-portable camera. The F2.0 lens, lower density sensor and improved software give you that.
Software matters on these small cameras and Canon’s software is a pleasure to use. The aperture ring feature, which can be used to control ISO, shutter speed, Aperture and other functions is a pleasure to use and has a very cool visual UI on the back screen when in use (think of the way the old Nikon cameras showed you the aperture ring in the viewfinder).
The camers is not quite as pocketable as the regular line of SD powershot cameras, but the improved image quality and control easily make up for that.
I like the camera. It has tons of manual controls, nearly all obvious in function without reading the manual if you are a Canon regular. They have increased the amount of on-screen documentation. The Auto ISO feature is better than before. They get that many prosumers don’t want a flash and will take a noisy photo over either a flash photo or one too slow to hand hold.
I typically own two cameras: a very small camera and a very large camera. This is my small camera and I would say that in the small camera department, if you care about low light performance and image quality more than zoom factor, you will love this camera.
How can it be better? well, if it had the sensor they put in the Canon 7D, it would be much better. I suspect Canon is working on such a camera. Size will be the major challenge there.
So why the 5 stars if it is not perfect? Because at this price and in this size range, there is simply no better camera on the market that I know of.
Rating
I decided to purchase a new pocket camera to take on a trip to Disney World. I needed low light capabilities for indoor and nighttime pictures without a flash and a wide angle lens. I purchased two cameras and compared them for several days prior to the trip. The two cameras were the Sony WX1/B and the Canon S90. Each has its advantages and disadvantages. The Sony is smaller, has better battery life, and does HD video. It has some unique and interesting modes including the rapid 10 shot and slick panoramic modes. The Canon has faster glass (f/2.0), full manual controls, a unique flexible control ring/dial, RAW capability, great build quality/feel and very low noise levels for a pocket camera. Its battery charger requires only two hours. The downsides of the Sony include a slow included battery charger (6 hours but you can buy a faster charger for $50), cheaper build quality/feel, and really poor auto white balance requiring constant manual tweaking. The contrast and exposure levels on the Sony images were also inconsistent and almost always worse than those on the Canon requiring a trip to Photoshop for corrections. The Sony also had higher noise levels at all ISO values than the Canon. Lastly, the Sony engineers messed up placement of the flash. At the widest lens angle, the lens actually blocks the flash from illuminating the lower left corner of the image. The downsides of the Canon are it’s larger size (but still pocketable), the lack of HD video, worse battery life (buy a second battery) and its narrower zoom range (28-105 mm equivalent vs. the Sony’s 25-120 mm). The bottom line was that I was getting a camera mainly for pictures and while I will miss the HD video and some of the Sony’s special modes, the picture quality of the Canon was superior to the Sony. Its low light capabilities were also greater with the faster lens, its own lower resolution high sensitivity mode, and lower noise levels. I sent the Sony back and kept the Canon. I took about 700 pictures and shot about 50 videos with the Canon on my trip and feel that I clearly made the right choice. While the Sony was good, the Canon was the winner for me. Even in auto mode, the Canon took consistently good pictures. This was important when handing the camera to someone to shoot a picture of me. For me, it was all about the picture quality.
Rating
The Canon S90 is so handy that my WIFE loves it–With image quality so good that a SERIOUS photographer loves it too.
The Canon S90 “just works.” It’s so small, light, and easy to use, that I always have it with me and always get great image quality. (You don’t get great pictures if the camera’s too bothersome to bring along.)
Panasonic’s LX3 is the one other compact that matches S90 image quality–But the LX3’s a little too big for my pockets and its low light images are noisier. What the LX3 DOES offer are much wider angle images (24mm–18mm with adapter lens, vs. the S90’s 28mm). For wide and ultra-wide angle shooting, I use the LX3–For everything else (convenience, and low light) I use the S90. Both cameras are excellent.
The S90 (and LX3) are the ONLY compacts with image quality good enough to blend into my Nikon D700 “slide shows.”
Finally, a HUGE plus, the S90 (and LX3) shoot in RAW, not just JPEG. Their RAW format lets me do AMAZING things with their images in digital editors like Adobe Camera Raw/Photoshop, Nikon Capture NX2, and DxO Optics Pro.
Rating
Canon S90 vs. Canon G11: A Matter of Personal Preference (I’m posting a very similar review under both the S90 and the G11.)
I’ve been trying to find a ‘carry everywhere’ camera to always keep on my person so that I don’t miss the amazing things that make up the events of everyday life (like tomorrow when I actually get to get off the R train at Cortland Street in Manhattan, something I haven’t been able to do for years due to construction). I wanted something that was (1) Small and (2) Had the ability for full manual controls for shutter speed and aperture. The two cameras that fit this bill very well were Canon’s S90 and G11 – Canon’s top of the line point and shoots in their respective series (S and G). But which one?
The two major things that the cameras have in common (in addition to the above mentioned manual controls) are:
1. The same image sensor (same size, etc)
2. The same image processor
Anyone who’s written a comparison of the cameras will point this out quickly – because normally ‘which camera’ would come down to these one of these two issues. In addition to these things, there are dozens of other features that both cameras share: this makes it very difficult to decide “which camera?” Having owned both of them (but ultimately deciding to go with the G11 and returning the S90) I would like to make a short list of positive/negatives which I think could be deciding factors when trying to choose between these two excellent cameras. Instead of listing both positive and negative points by each camera, I’ll simply point out the positives of each that the other model does not share – I hope that this is helpful in your decision!
S90: Advantages
– Very compact: quite a bit smaller than the G11, it would easily fit in pockets and cases that the G11 never could. If you’re into Pelican cases like I am, you can fit the S90 in the Pelican Micro Case 1010 with room to spare.
– More efficient controls: the ring around the lens is amazing and an excellent idea. Especially when in manual mode, this makes setting aperture and shutter speed a snap (it’s more awkward on the G11 – you have to use the small back dial and then toggle between aperture and shutter speed with a separate button which can get to be messy when you’re trying to shoot quickly).
– The f2.0 lens: a full stop faster than the G11’s 2.8 lens. This is a LOT of light, and especially important when you want to take photos in low-light situations (note though that the lens on the S90 doesn’t zoom in far as the G11 if that’s important to you – both lenses are the same focal length when zoomed out).
G11: Advantages
– Hot shoe: but on a compact? Some people will say “it’s pointless to use an external flash on a compact camera – the whole point is to be compact!” That’s a valid critique, but at the same time there are times when it’s nice to be able to throw a flash on a compact if you really need one. I own the 430EX and the 580EX II (both compatible) but I picked up the newish 270EX with the G11 and it works fantastically with the camera without adding a lot of weight. Both the camera and the flash fit perfectly into the Pelican 1060 case side by side but with enough room to stay padded with the foam insert. And hey – if I want to throw the nearly-twice-as-big-as-the-camera-itself 580EX II on the G11 I can do it! Yet I can also do without it – the camera is versatile this way in a way that the S90 is not.
– Vari-Angle LCD: which at first I found annoying. The screen adds just enough bulk to the camera that it does not fit in smaller cases which it otherwise would. When I first got the camera I was really rather annoyed by it in fact – not only because of the bulk but because it is actually smaller than the LCD on the S90. I had to read another review to realize that it was a much better thing than I realized – because it allows you to hold the camera at all sorts of different levels and angles while still allowing you to see what you’re shooting. I really enjoy doing photography with the camera low to the ground (I have an angled viewfinder for my DSLR) and so this works perfectly for what I need. As others have pointed out, the Vari-Angledness of the LCD allows you to flip it while in storage so that it’s even more protected.
– Remote Shutter Release: you can use one! I love doing night photography and that the G11 allows me to use a cable release really seals the deal on the S90 vs. G11 for me personally (granted on the S90 you can always use the 2 second self-timer). Good news too if you use a Canon Rebel DSLR – it’s the same cable release.
Both the S90 and the G11 are beautiful, well made cameras that will serve any photographer well when you’re looking for something that’s not DSLR sized.
Rating
I’m a very amateur camera user. I understand the basic terms and settings (ISO, aperture, shutter speed, image stabilization, exposure) but I am impatient and like to get things set and just use the camera.
I bought this camera because I wanted the ability to use the camera indoors in low light without a flash. Due to the relatively high price, my expectations were high.
My cam was delivered just last week, and having used it at an event in a local bar the best word I can use to describe this camera is “magic”. This camera takes in so much light it really seems like magic.
The event I was documenting was in a very dimly lit room. The only lighting sources in the room were incandescent chandeliers dimmed as low as they would go.
I set my iso to 1000 in aperture priority mode, f2.0 (this level is only available in the widest zoom), adjusted white balance for incandescent, and took some shots. Most of the shots used 1/6-second shutter speed, which was just fine due to the image stabilized lens. The IS performance is improved over my last Canon compact. I don’t have steady hands, and I like to take quick sloppy shots. If the IS in this cam can handle my hands, a very-careful steady shooter could probably get away with 1/4 second. The resulting images were so bright and had such great color everyone that saw them was in awe. The resulting images appeared more bright and colorful than with a naked eye. Shooting with such high ISOs is like having night vision built into the camera. Noise levels were low enough and color was so good that I can easily print very nice 5x7s from this night.
I took a few candid shots of people in motion at the bar, so I had to bump the ISO to 1600 to get a faster shutter speed (at ISO 1600 I got about 1/30sec in the dimly lit bar). At ISO 1600, color is still acceptable and very nice 4×6 prints, web postings, and email will be no problem. ISO 1600 on this cam is comparable to what most compact cams produce at ISO 400. I’ve never seen a compact cam take such great shots using high-ish ISO settings.
I am just as happy with the results as when using my EOS 20D digital SLR. A critical professional may argue that this cam isn’t as great as an SLR, but for normal-sized prints and digital sharing, this camera makes images that are as good as a consumer SLR.
My last compact was a Canon SD800is. I love that camera, but images are mostly unusable above ISO400, due to muted color, and grain. The S90 goes two full ISO stops beyond what can be done with a typical $300 compact camera. Combine high-ISO performance with the f2.0 option and you can take great shots in 1/3 of the light required for most $300 compact cams.
Adjusting camera settings is a dream. I am just as in control as I am with my EOS 20D SLR. I’ve used friends’ canon rebel SLRs, and the controls on this compact are even better than them. Between the front ring, rear dial, and shortcut button, you have instant control of three camera functions without even really looking. All of the controls are customizable. If you’ve ever used other canon cameras in the past, you won’t really even need to use the excellent printed manual (yes! a printed manual!).
I’ve not taken enough shots with it to test whether the battery can actually deliver 200 from a charge, but 200 isn’t really great battery performance and I bought a backup battery from an Amazon marketplace seller for longer outings (under $30 shipped).
I also highly recommend the Canon compact leather case. This camera easily fits in any pocket, but I’m pretty sure that pocket lint and dust is what did in my last compact camera. The Canon compact leather case for the S90 mounts on your belt and offers light protection away from keys and pocket lint.
The body is comparable in size to Canon elphs. My SD800 elph is 1/2in shorter, but the height and thickness is identical (not counting the lens ring, which makes the overall thickness of the S90 slightly thicker). I posted comparison pics between the SD800 and the S90 in the gallery.
The rear display is really sharp and is viewable outdoors. I haven’t bought a new camera in over three years and the display blew me away compared to my other cameras. I really can’t compare the display to newer cams.
Simply judging by the way it feels in the hand, the build quality is just average.
The only real performance weakness is continuous shooting. Continuous shooting is really really slow.
If you want a compact and think you’ll ever want to photograph dimly lit subjects without a flash, this is THE camera to own. The price is 40% higher, but it takes in 300% more light. Unless you’re shooting a lot of action, this cam is probably a better choice for people considering consumer-level SLRs like the Canon rebel line.
I can’t imagine anyone regretting buying this camera. It beats other compact pocket sized cameras by a wide margin.
Rating
I’m not one to belabor camera specs that already appear in a manufacturer’s description, so this will be short and sweet. I have 33 years of professional photography experience, and am floored by the image quality (IQ) of this little camera! I immediately captured over 300 photos with it after I unpacked it, all indoor without flash, and was amazed at the little-to-no noise appearance in my images, many of them taken at a music concert. The build of the camera is not flimsy or plasticky, as aluded to in another review. I find it to be solidly built, and now call it “my little derringer”, that will go with me anywhere more easily than my Canon 40D.
If you want to ascend above the ordinary in a P&S camera, and can afford to do so, then go for it. It’s well worth it!
Rating
I love this camera! I realized that most of the pictures I take are indoors, and using the flash makes the pictures look horrible, so I set out on a quest to find a good compact camera that could handle low light. I looked at the micro 4/3 cameras but they were a little too big. My last camera was the Canon G9, it was better in low light than my previous Lumix but not great. I am not a Pro, Semi-Pro, or even an Amateur Enthusiast photographer. I don’t care about the manual controls. I want to put my camera in full auto and have it take nice looking pictures. Boy does this camera deliver. The indoor no-flash shots are AMAZING. Compared to the G9 it focuses in low light situations very quickly and the results are clear and beautiful. It can take photos usable in 3X5 size in candle light! As you should expect from any camera daylight shots are also great. I have never experienced anything even remotely close to the performance of this camera in the pocketable variety.
If you are an average consumer who just wants a pocketable camera that takes really great pictures in both low light and full light stop fretting and press the add to cart button. This camera is well worth the extra $100 over other point and shoots as it makes your camera usable for the other half of the day when the sun has gone down and other point and shoots totally fail. It seems most of the reviews that disparage this camera are comparing it to DSLR performance. And yes, a honkin’ huge DSLR will take better pictures, but only if you actually bothered to lug it out with you. I was very hesitant to spend so much on a camera, but since I first took this bad boy out of its packaging I have been nothing but impressed, and am so glad I didn’t cheap out. You don’t need to be at all serious about photography to buy this camera, you just need to want to take vastly superior photos when you push the “take photo” button. BUY IT!
Time owned: 2 months
Photos taken: Hundreds
Profile: Full auto, total amateur, no aspirations to be anything else
Satisfaction Level: I have never been so satisfied with a camera’s performance!
Recommendation: Look past the price and buy it!
Rating
I’ve agonized about which compact camera to buy, the G11 or the S90 for a couple of weeks. In the end I bought the S90 and some of the reviews really helped me, so here’s my contribution to the people making that decision today:
Do you own a DSLR? Definitely go with the S90.
Are you looking for a camera to take in your pocket? No doubt about it, go with the S90. I’ve used the G10 and G11 and, believe me, there’s NO WAY you are taking them in your pocket!
The big differences between the two, which I’m fairly sure you all know by now are:
– The focal length (105mm for the S90 and 140mm for the G11)
– The manual controls
– The size
– The hot-shoe (only the G’s have them)
– The flash
Well, let me start by addressing one of the main complaints I’ve been reading about, the fact that the rear wheel is “loose”and that you can change your definitions without noticing it. It was a concern when I bought the camera and, to my surprise, it has NEVER been an issue while shooting. I don’t have small hands and I don’t know how other people hold a compact camera, but for it works like clockwork, no problem whatsoever. I even dare to say that if it was a bit harder to move it, it might take from the easiness of changing your controls before shooting the picture.
The difference in focal length doesn’t bother me. Would it be nice to have more on the S90? Yeah, sure. But is it a concern? No, not for me. I’m strictly against using the digital zoom, but on the few times I tried just to see the result, I confess I was a bit surprised (on the good side) by it.
The manual controls are exceptional, the combination of frontal ring, back ring and shortcut button make it easy to change configurations and control the camera. And for those of you wondering about the speed in doing it, I can say that I’ve been taking pictures to make a book about the life guard service here and it’s all about speed. Sometimes I take the S90 to the beach instead of the big DSLR’s because people won’t even notice me taking pictures with it, and the DSLR’s always cause a fuss, specially when people are being rescued and are ashamed to be seen in that light…
As for the size, I bought it to have a everyday camera always with me and this is the perfect one for this. A couple of friends decided to buy one after seeing mine (one of them is abandoning his G10 for it). And I was very, very pleasantly surprised by the image quality and camera quality I got with the S90, I never regretted choosing it and now, after having handled a G10 and a G11, I think I would be mad with me if I had chosen the G11 instead of the S90.
Some reviewers have questioned the built quality of the S90, but I don’t have any complaints about it, and it has been living in my pocket for over a month now, receiving some fairly rough treatment sometimes. As for the shutter release on the S90, yes, it is in a bit awkward position to be sure, but after one or two days with the camera you’ll adjust to it. Is it a serious problem? Not even close!
Regarding the hot-shoe and flash: well, I own two DSLR’s, so if I want to put a big flash on top of the camera, I’ll take the big one. It might be different for people who are buying this as their only camera. I hate flash and avoid using it always, even bumping the ISO to the moon, but, on the occasion I used the in-camera flash I was amazed by it’s power.
When I’m shooting “professionally” I tend to go with the RAW + JPEG mode, but sometimes I prefer to use the strict JPEG mode and it has a very interesting color control that helps eliminate the need for working the files later on. Anyway, you can change that configuration in about 2 to 3 seconds if you need to (the RAW/JPEG, because the colors are even faster).
A lot of reviewers and photographers talk about the S90 exceptional AutoWhite Balance, but I don’t really like it, I tend to prefer choosing presets all the time (I don’t like the auto WB in my NIkon’s DSLR’s either), but that is also very easy and fast to do in this camera.
Well, that’s about it. I’m sure there are other reviews discussing the technical details more deeply, but I’ve been a VERY HAPPY S90 owner for the past month or so and I’m sure glad that I chose the S90 instead of the G11. To tell you the truth, I don’t see much reason in buying the G11, as it is not a compact camera, it is not a DSLR, it is not lightweight, so it’s a middle everything. But the S90, and I’ve been hearing the same opinion from others for the past weeks, seems like the queen of compacts for now (I hope the manufacturers start a “fully manual compact” cameras war now).
I believe that, for most buyers, the S90 will always be the smart choice!